Halloween Countdown 2019, Day 12

[eldritchhobbit]

It’s film time! Every year about this time I think about good Halloween films (not necessarily horror movies, and definitely not lame slasher pictures, but suspenseful, atmospheric films that put a chill up the spine) that are “off the beaten path” – that is, films that are independent, foreign, direct to DVD or VOD, or somehow under promoted, and thus might easily slip under the proverbial radar. Not the classics. Not the usual suspects.

I’ve already made a separate post in the past with recommendations of Anton Yelchin’s Halloween-friendly films, so I won’t repeat those here.

Now I have a few new recommendations to add to my list, based on this past year’s viewing. (We accessed nearly all of these via Netflix or Amazon streaming.) Here they are in reverse chronological order:

• The Hole in the Ground (2019): This spooky little Irish film links a little boy’s strange behavior to a mysterious sinkhole in the Irish countryside. We automatically try any horror film with James Cosmo in the cast, and as usual, this one did not disappoint. Bleak, claustrophobic, and chilling. 
  
• Us (2019): Jordan Peele’s latest wasn’t exactly under the radar, but wow, it was *good*!
  
• Clovehitch Killer (2018): Set and filmed in Kentucky, this film follows a teen’s gradual realization that his father (an amazingly, disturbingly convincing Dylan McDermott) is the local area’s still-at-large serial killer. We loved this one!
  
• The Devil’s Doorway (2018): I’ll start by quoting IndieWire: “The film’s director, Aislinn Clarke, is the first women to helm a horror film in her native Northern Ireland. But apart from making history, Clarke also chose to mine one of Ireland’s darkest chapters for her debut: the Magdalene Laundries, where young women were sentenced to life
  sentences of hard labor for ‘loose morals’ for nearly 250 years.” This found-footage horror film is one of my favorites of the year, despite (or because of) how wrenching it was to watch. It’s a perfect example of how the genre has the power to raise questions as well as deliver scares.
  
• Down A Dark Hall (2018): This U.S.-Spanish film is based on the supernatural horror novel of the same name by Lois Duncan, and it rises above its trite girl-sent-to-creepy-boarding-school origins to offer something stylish and clever. We weren’t expecting much from this and ended up really enjoying it. 
  
• I Still See You (2018): Not great but not bad, either, this is an adaptation of the teen-centric Break My Heart 1000 Times by Daniel Waters. After a tragic explosion at a top-secret laboratory, the dead victims appear daily as ghostly "remnants” repeating the everyday actions of their lives -- except for the remnant who wants to either warn or harm the film’s young heroine. 
  
• The Little Stranger (2018): I quite liked this claustrobic and disturbing character study, whereas my better half found it to be more style than substance. Either way, Domhnall Gleeson, Ruth Wilson, and Charlotte Rampling wandering around a disintegrating house is as Gothic as it gets.
  
• Our House (2018): After his parents die in a car crash, science genius Ethan drops out of college to care for his younger siblings but keeps experimenting in the family garage. His latest invention may do more than he expects, however... such as establish contact with the dead. It won’t win any awards, but it’s worth watching if you like a little science fiction twist to your horror.   
  
• The Lodgers (2017): This is a standout, unlike any of the others we watched this year. Highly recommended. Gothic, dreamlike (or nightmarish), Lovecraftian to the core. I don’t want to say too much, so I’ll just quote the official description: “In this Gothic supernatural thriller, a family curse confines orphan twins Rachel (Charlotte Vega) and Edward (Bill Milner) to their home as punishment for their ancestors’ sins. Bound to rules derived from a childhood nursery rhyme, they must never let any outsiders into the house, be in their rooms before midnight, and never be separated. Breaking the rules would let the wrath of ‘The Lodgers’ who prowl the corridors at night.” 
  
• Prodigy (2017): A psychologist and a genius girl engage in a life-and-death battle of wits. This tense, smart film is a perfect example of how little expensive sets or flashy effects (or the lack thereof) matter as long  a filmmaker has a quality script and solid cast of actors. Also, here’s further proof that kids are always creepy.   
  
• Jessabelle (2014): Sarah Snook doesn’t get nearly enough appreciation for her acting, and I was delighted to see her in this atmospheric film that ticks all the boxes of the Southern (specifically Louisiana) Gothic. Joelle Carter’s turn as Jessie’s dead-from-a-brain-tumor mother speaking to her through old videotapes also deserves special mention. Well worth watching.
  
• Wind Chill (2007): A woman student (’the girl’) at a Pennsylvania university uses the campus ride share board to find a ride home (”the guy”) for Christmas. You won’t hear “Rockin’ Around the Christmas Tree” the same way again. Not the best of this bunch, but worth a peek.
  
• Dark Water (2005): This is the U.S. remake of the Japanese film of the same name, and it stars Jennifer Connelly, Tim Roth, and John C. Reilly. It’s definitely spooky enough in its own right, but it’s downright terrifying if you know anything about the case of Elisa Lam. Highly recommended.
  

Click here for my recommendations from previous years.